(Day)Dream Dinner

I just finished reading Reed of God by Caryll Houselander and am furiously working on a presentation I’ll be giving about the book tomorrow (!) Clearly, I am procrastinating because I just want to think about how much Flannery O’Connor and Caryll Houselander resemble one another.

It was a tough book for me to get through because it is more of a meditation and I find I do my best meditating through fiction. But I’m so happy I persevered because there are passages of the book that I am sure have changed me forever. I highly recommend it.

But in the meantime, I do feel certain that I’m going to have to add Caryll to my Favorite Writer I’d Like to Invite to Dinner List (I think she’d especially have fun trading witty jabs with Evelyn Waugh). She’ll also get a chance to visit with Flannery O’Connor and we’ll all have a chortle at how much they look like sisters.

I will have to take some time with the seating chart. Not sure how Geoffrey Chaucer and Tolstoy will communicate–maybe I could seat Sigrid Undset in between? And then there is the question of  what to serve? I’ll have to give that some serious thought . . . .

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The Headline Hat

There has been quite a bit of talk around the blogosphere and twitterverse about Justice Antonin Scalia’s choice of hats for the Inaugural ceremony earlier this week. Turns out he was given the hat (a replica of the one worn by More in Holbein’s famous sketch) by the St. Thomas More Society of Richmond Virginia.

Was the Justice sending a secret message about the current state of affairs or was he just showing that good millinery never goes out of style? You be the judge.

 

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Next Big Thing Blog Hop

Last September I was fortunate enough to attend the Historical Novel Society conference in London. One of the most pleasant parts of the conference (besides, well, being in LONDON!) was the good luck of meeting Hazel Gaynor. Sometimes you just click with someone and Hazel is just that kind of person. Had I known that she was a Kindle best-selling author, I might have been too intimidated to talk to her. I was thrilled when Hazel tapped me to participate the Next Big Thing Blog Hop.

But before I begin to answer the ten questions that are part of the NBT, here is a little more about Hazel:

Hazel Gaynor is a freelance writer and author. Her debut novel The Girl Who Came Home – A Titanic Novel was a Kindle Historical Fiction bestseller in 2012 and with over 100 five-star reviews, is still riding high in the Kindle charts. Hazel is a guest blogger and features writer for national Irish writing website writing.ie. She also writes ‘Off The Shelf‘ a book review blog for hellomagazine online. Hazel was the recipient of the Cecil Day Lewis Award for Emerging Writers in October 2012. She lives in Ireland with her husband and two children.@HazelGaynor www.facebook.com/hazelgaynorauthor

How The Next Big Thing Blog hop works: An author answers ten questions and then tags up to five authors to do the same thing the following week. And away we go:

1) What is the working title of your next book?

It’s a very hardworking title that changes frequently. So far it’s been Not a Lesser Light, The Good Daughter,  and Mine Own Good Daughter. Right now I’m sticking with Mine Own Good Daughter,the greeting Sir Thomas More used in letters to his daughter Margaret while he was imprisoned in the Tower of London.

2) Where did the idea come from for the book?

My husband converted to Catholicism shortly before our wedding and chose St. Thomas More (patron of attorneys) as his Confirmation saint. When I was on bed rest with our first child I did nothing but read and eventually happened upon a book my husband had received as a Confirmation gift. I knew a little about Sir Thomas More but didn’t realize what an incredibly talented person he was–really the original Renaissance man (a poet, playwrite, novelist, statesman, orator) and, above all, a devoted father. I starting reading more books about him and noticed that his daughter Margaret was always mentioned, but remained always on the periphery. I wanted to know more about this daughter who was described as “the most educated woman in Britain” her father’s “soulmate.” The more I researched, the more I found Margaret to be heroic, witty and full of spunk.

3) What genre does your book fall under?

Firmly historical fiction.

4) What actors would you choose to play the part of your characters in a movie rendition? 

Oh, how I love this question! I realized that Emily Blunt was my Margaret when I saw Young Victoria.

I’d love to give Russell Crowe a chance at tackling Sir Thomas More (N.B.- I haven’t yet seen Les Miserables, so I might change my mind after that?) As for Will Roper, Margaret’s passionate but oft-times misguided husband, I’m still casting.

5) What is the one-sentence synopsis of your book?

That is a cruel, cruel question, but here goes:

Set during the tumultuous reign of Henry VIII, Mine Own Good Daughter is the story of a daughter caught between the King’s desires and saving her father’s life, while trying to keep her marriage and family from being destroyed.

6) Will your book be self-published or represented by an agency? 

I’m hoping for a great agent who finds a wonderful publisher!

7) How long did it take you to write the first draft of the manuscript?

The first draft took about five years. Ouch. That always hurts to admit.

8) What other books would you compare this story to within your genre?

I’d like to think of it as Philippa Gregory meets Jane Austen.

9) Who or what inspired you to write this book?

I wanted to tell Margaret’s story!

10) What else about the book might pique the reader’s interest?

Well, there is a legend that Margaret bribed the executioner to rescue the severed head of her father from London bridge. There is a pretty dramatic scene in the novel about it!

***

I’m passing the baton to my friend and fellow Nashvillian Kristin Coile, who will be posting her responses to the ten questions next Wednesday at www.kmcoile.com  Here’s more about Kristin:

Kristin Coile is a free lance writer, health care attorney, and mystery author.  She just completed her first novel, Warning Signs, and has started its sequel.  An avid animal lover and advocate, Kristin’s novel features a unique protagonist:  a female ASPCA animal cruelty investigator.  Kristin lives in Nashville, Tennessee with her husband, two boys, and two furry canine companions.

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To Breathe Into

“Looking out on the morning rain/I used to feel so uninspired/ And when I knew I had to face another day /Lord, it made me feel so tired.” –Aretha Franklin

We all crave inspiration, don’t we? Life becomes such a chore without it. The word itself comes from the Latin inspirare: to breathe into and I believe it is as important to us as breathing.

Revising a manuscript can quickly deplete you of inspiration. It’s a little like cutting through a jungle hoping you find a clearing at the other end. There’s a good bit of perspiration but precious little inspiration in the whole process. The talented writer (and fellow Nashvillian!) Victoria Schwab wrote a wonderful post about it here.

Now that my revisions are done I’ve gotten back to some things that inspire me. I’ve seen two movies–Anna Karenina and Skyfall–and enjoyed both immensely. I’ve been inspired to pick up Tolstoy’s classic and now can’t seem to put it down. And who would have thought a James Bond flick would lead me to research the English Reformation and Scottish recusants?

And then there’s this. I just have to share it because it is one of loveliest, most inspirational things I’ve seen in a while:

 

I hope you find some time during this busy month to be inspired!

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When to Hit Send

I’ve been working on revising my novel for a long time. I mean a really, really long time. It has been painful, confusing and every once in a great while–exhilarating.  Again it reminds me of running a race where, as my husband often says, you just have to “gut out” the last few miles. I wince every time he says it, but by golly, it really describes the feeling.

I’ve been gutting it, re-reading, re-writing and re-imagining parts of my manuscript to where I can honestly no longer see it. I feel utterly spent. I finally hit the send button but I’m still completely unsure if I hit the mark.

My question is: do you ever really know when you are finished? My manuscript is now in the hands of someone I greatly admire. It was a bit safer to just stay in the place of “I’m working on it.” Actually hitting send means that I believe in it enough to send my baby back out in to the world. But are you ever really ready?

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Quid est Veritas?

What is truth? That seemingly simple yet infinitely important question Pontius Pilate posed to Jesus. Strangely enough, it was quite the topic of conversation at the Historical Novel Society conference in London.

Historical fiction as a genre tends to get a bad rap from historians. They sight the sometimes flexible standards of historical accuracy and research. And they’ve got a point.

When historical fiction is good it immerses the reader in a time and place in a way that non-fiction just cannot do. Philippa Gregory, the best-selling author of The Other Boleyn Girl, gave a stirring keynote at the conference extolling the craft of historic fiction and encouraging the writers and readers present to be proud of the genre. She pointed out that historians write a narrative based on facts that are known. But there are always the facts that cannot be known: the letter that was lost, the record that burned in a fire, etc. The historian is forced to weave a narrative out of the known facts and so there are necessarily presumptions made about unknown facts in the telling. It is not so very different with historical fiction.

As an author of historical fiction, I feel a great responsibility to be truthful. I work very hard to understand the historical record (letters, contemporary accounts, biographies) about my characters before I begin to write. Since my stories are often about real people, I feel that it is only right that I try to be true to what is known of their character. I don’t feel comfortable playing games with them; presenting the bad guy as really a misunderstood good guy or vice-versa. That, of course, is permissible in historical fiction, but I find it to be almost a kind of slander.

Recently there have been a number of books taking the many known facts of Sir Thomas More’s life and twisting them into some sort of experimental fiction. The “man for all seasons” has been portrayed as a cynical masochist intent on burning heretics and a mean-spirited religious fanatic. Most famously Hilary Mantel’s Wolf Hall turns everything history has recorded about Thomas More and Thomas Cromwell upside down. It is some excellent prose (she won the Man Booker Award in 2009) but it strike me as disingenuous. There is truth and the truth does indeed matter. Many people who read historical fiction believe that they are reading something based on fact and truth. We could certainly shrug our shoulders and say, “Well, that’s their problem. It says historical FICTION.” But I think that is lazy. Our readers deserve more than that.

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Unpacking

The presidential election is in full swing in the US. And as with most election cycles, the political talking heads all have a favorite catch-phrase. This year’s seems to be “unpack.”  As in “let’s unpack these numbers,” or “there is a lot in this report to unpack.” Usually I roll my eyes when I hear it, kind of like when the media’s favorite word was “gravitas.”

But today, there is no more appropriate word for what I’m doing. You see, I got back this week from the Historical Novel Society Conference in London. I am still literally unpacking my bags, but also unpacking all that I learned from the people I met and the sessions I  attended.

The conference was a wonderful mix of historical writers, readers, agents and editors. It is my second HNS conference and I have to say that from my experience there are no nicer people on the planet than historical fiction buffs. It didn’t matter that I was 3,000 miles away from home as I could sit down next to just about anyone and have something in common– a love of history.

There are so many highlights, but I guess Philippa Gregory’s exhortation that we be proud of writing historical fiction is the one that really set the tone of the weekend. She quoted an historian who said that her books consist of four known facts, thus he deduced that there was one fact for every 75 pages of her novel. I loved that she shared this without the slightest hint of bitterness (though she added some hysterical asides about said historian). She went on to say that for every known fact there are unknown facts that are just as real. Historians make their own assumptions based on the known facts and so do we as writers–only we aren’t ashamed to admit it.  Hurrah!

And the always gracious Margaret George shared with us some of her childhood memories and her attempts to revisit the places of her past. Her poignant and thoughtful words reminded us that historical fiction, in a way, reminds us of who we are.

But most off all, I guess I come away from HNS London 12 with a more sincere commitment to honoring this craft of writing. I met with some wonderfully talented fellow writers (Hazel Gaynor and Catherine Delors come to mind) and agents who inspired me with their passion, creativity and determination.

Now, if you’ll excuse me, I have some more unpacking to do. . .

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